Wau y Los Arrrghs !!!! I reviewed under the 2nd 60's styled review page->
Möondo is reviewed on the World Fusion review page->
jazz-newrock 12Twelve is reviewed on the jazz related rock review page->

More on Spanish prog with older radioshow and links to Spanish prog sites : http://progressive.homestead.com/spainprog.html
I also made a webpage on Flamencofusions :
http://progressive.homestead.com/FLAMENCOFUSION.html
with a seperate webpage for Gualberto on
http://progressive.homestead.com/GUALBERTO.html



go back to the
progressive / psychedelic music index
or to the general index with more entries




Ma.Ra.Cash Rec.   October Equus (SP,2005)***°

This album by October Equus shows that they are an instrumental progressive rock band that are not afraid to use RIO ideas and compositions, with weird contemporary harmonies on guitar and piano, especially on the first track, “Lupus In Fabula”.

We hear more often complex fast rhythmic ideas and intelligent melodic combinations.

The biggest part of the album is a suite in various parts.
Just a few with a heavy tone in fuzz guitar and additional organ, in a modern days’ symphonic progressive rock style, when somewhat improvised, they tend to sound there a bit like Anglagard.
There are just a few times when the organ sounds like making the music a bit more loaded than necessary.
A style choice of adding contemporary ideas in the harmonies and rhythms, solves their melodic choice of music composition, and makes a strong sound, but it makes it difficult and demands lots of work on compositions to work in a fresh way over a whole album’s length. Therefore there are many more calmer and moodier passages as well.

Audio : "Hydra", "Reliqua Tempora" &
"Lupus in Fabula" & "Head of the Winner" on http://www.myspace.com/octoberequus
Homepage : http://www.octoberequus.com/
Intro : http://www.dlsi.ua.es/~inesta/Prog/SPE/octoberequus.html
Other reviews : http://www.seaoftranquility.org/reviews.php?op=showcontent&id=3436
& on http://www.somnius.com/outermusicdiary/2007/01/15/acdc-john-zornelectric-masada-nebelnest-october-equus/
& http://www.waysidemusic.com/ProductInfo.aspx?productid=09/MARACASH%20007
& http://www.lasercd.com/ProductInfo.aspx?productid=MRC007
Spanish review : http://www.dlsi.ua.es/~inesta/LCDM/Discos/octoberequus_octoberequus.html
German review : http://www.babyblaue-seiten.de/album_6791.html

SPANISH PSYCHEDELIC MUSIC, HEAVY ROCK, R.I.O.
review page

new bands :
The Knife ('03)
Unoma ('02-'03)
Psicotropia ('03,'07)
Amarok ('94,'94,'00,'02,,'04)
Mundo Espectro ('05)
Bijou ('05)
October Equus ('05)
El Paramo ('08)

reissues :
Tapiman ('71)
Agamenon ('75)
Daniel Vega ('76)

Luna Negra     Amarok : Quentadharkën (2004)***°

older albums mentioned in the introduction :
SBS Rec Amarok : Els Nostres Petits Amics (1994)*°
Sonifolk Amarok : Canciones de los Mundos Perdidos (1994)***
Sonifolk   Amarok : Gibra'ara (1997)****
Technosaga   Amarok : Tierra de especias (2000)****
Luna Negra     Amarok : Mujer Luna (2002)***°

Starting with 'Canciones de los Mundos Perdidos' I noticed that this (Catalonian) band Amarok started making interesting symphonic compositions with a combination of art folk and various ethnic (Middle Eastern and other) influences, developing into a very unique style around the time of ‘Gibra’ara’, with a highpoint CD of ‘Tierra de Especias’, making me one of the fans. With their follow-up, 'Mujer Luna', having received more attention from the progressive rock field, they also started to make more symphonic rock compositions. This resulted with this release in a bit more loaded symphonic rock style.

The album now is definitely more composed as 'symphonic rock'. Like before, most compositions alternate very much, using instruments like flute, bass, Middle Eastern instruments (percussion, santour, saz) violin, sax, kanun, autoharp, charango (-a South American guitar-lute-), marimba,.. and electric guitar (like you can hear on the first track, “Hsieh”). But more than one composition has much more keyboards and electric guitars than before, which directs them only a bit more into the more melodic neo-symphonic genre, like on the second track “La Ultima Expedicion”, although it still has a flamenco song drive here, or many other variations elsewhere. After the more acoustic track, “Encantamiento”, “Tierra Boreal” is one of the most composed pieces with multilayered almost classical inspired composition.
La Espira” after that, has also Middle Eastern parts in composition / rhythm and in the improvisational singing, changes then again with additional didgeridoo, harp etc, like previously, without any shortage of ideas and influences. But compared to the earlier stage it still is more “loaded” in its specific use of symphonic rock.
In the long symphonic composition “Quentadhärken” I really like the band sound, and we hear more often the beautiful voice of lead singer Marta Segura.

The compositions themselves are, like before lead by Robert Santamaría, who also is a doctor in Palaeontology, which explains his wide cultural interest and use of varied, world instruments.

First bonus track, "Laberintos de Piedra 2004" is a funkier symphonic -live ?- variation with some fusion improvisation parts etc. of a piece which occurred on an earlier album.

The other three bonus pieces show again the 1998 group and the fact at that time the compositions were calmer in evolution and with less multilayered arrangements. Like before, another nice album which might interest symphonic rock listeners even more.

Homepage Amarok : http://manelpm.eresmas.net/amarok.htm
Discography with soundfiles of other albums : http://manelpm.eresmas.net/amarok/discoang.htm
Spanish review : http://progresiva70s.com/nuevos_albumes4.htm#Amarok:%20Quentadharkën,
& http://www.dlsi.ua.es/~inesta/LCDM/Discos/amarok_quentadharken.html
Musea Rec. entry : http://217.128.227.4/newreleases.html?chosen_genre=1#8
Small entry on Amarok (in Spanish music encyclopedy) : http://www.dlsi.ua.es/~inesta/Prog/SPE/amarok.html
Private    The Knife : (Conversations in) a lifeless room (SP,2003)*** 

Description : For those interested in hearing very Van Der Graaf Generator like sounds in symphonic rock this is the group to hear. The group sound works, piano and electric guitar solo's are really fine. I only had to listen twice before getting used to the vocals, but with a VDGG association they sound more than acceptable. A nice release.

Webpage : www.theknife.tk  or http://usuarios.lycos.es/theknifer/
Soundfile of one track (not the best starting track, but it gives an idea) :
http://www.mans-hq.net/dolly/web/mp3/slothfully.mp3
Other introduction : http://www.dlsi.ua.es/~inesta/Prog/New/knife_conversations.html
Luna Negra/Musea/Margen   Unoma : Croma (SP,rec.2002,iss.2003)***°

The first couple of tracks shows some splendid guitar playing with true emotion and perfect progressive fusion accompaniments, especially the titletrack "Croma". But also "Black Hole" is very good, with additional various beautiful melodically rich prog rockfusion improvisations.
The following track "The Bird" has additionally some sparse, odd fast moving, distant electronic rhythms here and there.
"Magic Tour" has a bit more specific inspirational elements, with references from rock, blues, prog to Spanish flamenco, with other touches of modern electronica, luckily mixed a bit more in the background.
Last track is a 15 minute suite "In the name of God" starts with acoustic guitar and more band arrangements. After 5 minutes Fidel Vázquez Sanglas starts to sing some part in it as well, with, personally somewhat disappointing with a light weight voice. The same song has also more wonderful (neo-) symphonic keyboards arrangements. Obviously to say this guitarist is extremely talented and he succeeds to compose perfect tracks, influenced by lots of ideas. I like especially his guitar style, with the band accompanying.

I personally wished the music would have remained a complete instrumental album, which it also is for 90 % of the album.

Info : http://www.unoma.net/_eng/home.html Contact : croma@unoma.net.
& http://www.dlsi.ua.es/~inesta/Prog/SPE/unoma.html
Label contact : lunanegr@prodigy.net.mx
Label info : http://www.energiash.com/lunanegra/
Distr. Musea Rec. info : http://217.128.227.4/mps/newreleases.html?chosen_genre=1#11
Luna Negra/Musea /Margen  Psicotropia (SP,2003)****

With some influences of King Crimson, of heavy prog rock and progressive arrangements, with a more than descent rock complexity, always in a accessible way, with a beautiful powerful male soulbluesrock voice (at track 2), with a Jethro Tull like flute (mostly track 7), with nice additional cello and some arranged, almost symphonic rock arrangements (track 4), some very individually styled composed progressive rock (track 6, and 9), or nice heavy rock with various tempo changes (like track 8)... this cannot go wrong any more...

The ninth track, "Oigo Voces" combines every aspect of this group in its most brilliant way.

Last track, "Delicada Sal Titánica", surprisingly is a beautiful poem narration mostly on piano. A brilliant closer for a perfect release !

Within all musical changes, the music gives a surprisingly consistent listen. This approach will not only appeal to many, but also deserves its world wide praise in the progressive rock scene !

Audio : http://www.myspace.com/psicotropia
Homepage (slowly opening flash) : http://www.iespana.es/Psicotropia/
& (SP) http://usuarios.lycos.es/portalesquizofrenia/psicotropia.html
Contact : ptato@mixmail.com or psicomail@mixmail.com
Info : http://www.indyrock.es/psicotropia.htm
http://www.dlsi.ua.es/~inesta/Prog/SPE/psicotropia.html
Review (SP/Eng) : http://www.dlsi.ua.es/~inesta/Prog/New/psicotropia_psicotropia.html
Spanish review : http://www.todaslasnovedades.net/documentos/2003/noviembre/destacados/Psicotropia.htm
Mus.Rec.-entry (Eng/Fr) : http://217.128.227.4/mps/newreleases.html?chosen_genre=1#10
Spanish article with pictures :
http://www.iespana.es/Imagina-web/re/uniweb/Conciertos/Html/Propios/OmniPsico.htm     next->
Discos Necesarios  Mater Dronic : Mundo Espectro (SP,2005)****

This trio of bas,drums,guitars, with many guests playing different instruments, claims to be influenced by Hawkwind, which is hardly noticeable, and by Bevis Front, but also here is no domination of this influence.
The group has its specific, strong sound with just passages of psychedelic instrumentals with spacerock touch and with space for various guitar solos, which are sometimes rather flippy / freaky.
More than half of the tracks are rather emotionally sung, rather calm songs, with its own beautiful improvisation element. “Máscaras de cielo” is more acoustic. “Sin Fin” might be my favourite track. It has a great, rather jazzy piano improvisation on the bass/drum psychedelic rhythms and some keyboard instrument which sounds in between a sax and a harmonium, by guest musician Thomas Runquist. Occasionally there are also some “wah wah” female vocal improvisations here too. A very strong, recommended debut.

Limited edition to 1000 copies.

Audio : http://www.mu4us.com/artista.php?id=11115466
Info : http://www.cinecult.com.es/materdronic.htm
Other review at http://www.kozmik-artifactz.com/katalog_reg_mp_en.htm
Spanish review : http://www.mentesdeacido.com/discos/m/re-materdronic.html
Luna Negra/Musea/Margen Rec.Bijou : El Profeta (SP,2005)**'

This neo-symphonic rock styled album is melodically based upon the idea of classical music but this is with a more simplistic, fluent and constant rhythm. This kind of rhythmic aspect together with the deliberate rock-riffs gives the symphonic composition and music something predictable. Within this range and limitation the music I'm sure will still be attractive to neo-symphonic music lovers, but might be disappointing to those expecting a true musical challenge. The latest 3 tracks are compiled as one bigger piece. This is the album's second edition.

Info : http://www.energiash.com/lunanegra/catgral.shtml?bijou
Other reviews : http://www.progarchives.com/Review.asp?id=54063
& http://www.progvisions.i12.com/main/reviews_ae_uk.htm
Spanish reviews : http://usuarios.lycos.es/portalesquizofrenia/discos/bijou_elprofeta.html
& http://www.geedorah.com/leer.php?id=292
& http://www.dlsi.ua.es/~inesta/Prog/New/bijou_elprofeta.html
Guerssen Rec.Tapiman (SP,rec.1971)****

The band was formed by left over members from Maquina! when two of their most important members were forced to join the army. With a few more changes for the same reasons, Tapiman for this release became a power-trio, with the former drummer of Maquina!, Joseph “Tapi” Vilaseca, and features Max Sunyer on guitar (who afterwards joined the jazzfusionrock group Iceberg, and played with Pegasus).

The music is a Cream-like hard driven rock, with now and then pretty freaky guitars and perhaps also a rock style reminiscent ala Hendrix, especially on “Don’t Ask Why”. Never the less the hard drive is never pushed, but springs forth from its own inner natural force / source / acid. The drummer Tapi also plays some organ on "Paris". The great instrumental "Moonbeam" used some more Latin-exotic rhythmic idea, an original hard rock interpretation of something which isn't. "Jenny" is a more emotional softer song, with some freakouts. The last LP track has some improvisations on organ.

The band's two singles, were also included. They show the basics of the band. "Hey Man" has basics of pretty raw aggressive lead vocals the electric guitar, bass and drums, with some additional arrangements of great vocal harmonies, flute and some organ. They are surely worthy of inclusion, and show how the band evolved to the LP.

Audio : "Jenny","Gosseberry Park"
Band info : http://www.dlsi.ua.es/~inesta/Prog/SPE/tapiman.html
Info on Max Sunyer : http://www.gamarock.com/gama2/guitmest/maxeng.htm
Label info : http://www.guerssen.com/productes.html?prod=6761
Other review : http://www.peterjolly.co.uk/music_023.htm
Guerssen Rec.Agamenon (SP,rec.1975)****

At the time when his album was released nobody had seen a copy, because there was no effort put into distributing this.

The album holds the middle between a couple of influences. First of all there’s the sunshine pop which is under influence of the Mamas and Papas. Band leader Carlos Garcia and his sister were big fans of the Mamas and Papas and started doing covers. The female harmonies elsewhere could also have some Jefferson Aeroplane-like harmonies, with an additional male vocalist. But at the same time the band at this stage had a variety of talents brought together by circumstances. Some arrangements have great psychedelic rock interplays, a bit of wild organ, some driven and fast acidic electric guitars, but not just anywhere. The combination of all this makes it a hippie rock/pop album worth investigating.

Audio : "Al Salir El Sol" ; "Happy Marriage, Eleanor", "Todos Rien De Mi", "Wooden Tears"
Band info : http://www.dlsi.ua.es/~inesta/Prog/SPE/agamenon.html
Label info : http://www.guerssen.com/productes.html?prod=7294
or http://www.woodlandrecords.com/proddetail.php?prod=GUE001
Fonomusic  Daniel Vega : La Noche que precede a la batalla (SP,1976)****'


review of this musical epos you can read at
http://www.psychedelicfolk.com/reissue3.html#anchor_141
Psycofonia Rec.  Psicotropia : Grog -cd-/ Live DVD (SP,2007)****

Psicotropia have evolved well since their debut, and it is about time there was a second album.

I can understand very much how many of the dealers/collectors got tired of the prog genre since the 80s because there has been tons of mediocre melodic & content-less vague repetitions of what once was inspiration. But I am sure that a group with good doses of technical skills and ideas, hardrock-like vocals, and an overall clarity in their arrangements (in a way like Italian 70s prog was in general), or a group like Psicotropia could change their mind. They also take the best of elements with details of playing I have heard before with some groups (I cannot recall all), from various genres and periods, like a doses of Anekdoten on “Vij”, some Primus-like bass elements with funky touches and breaks, some technical metal, skilled composition in the direction of Ruins, a bit of 70s progressive hardrock, a bit of metal riffs, calmer prog and rock with guitars, Rock In Opposition, and even jazz. 

Psicotropia is only a Trio, but there are many moments which give the impression, when hearing their sound, they are with double as many members.

Psicotropia is Pedro Tato on guitar & vocals, Jaime Mariscal on bass & keyboards and Juan Llull on drums. Two tracks received help from Kotebel’s keyboard player Carlos Plaza, and Jésus Dario and Alberto Nieto on violin, and Ivan Carames on cello.

The video gives very much the impression of a concert, seen from various directions and viewpoints. I liked especially watching the bass player doing some clever things, also with great interactions of the guitarist who also sings. It was here I realized how this was the result of just three people.

Audio : http://www.myspace.com/psicotropia
videos : http://www.psicotropia.com/you.html & on youtube
Small introduction : http://www.dlsi.ua.es/~inesta/Prog/New/psicotropia_grog.html
Other reviews : http://www.progarchives.com/album.asp?id=11265
& http://www.progressor.net/review/psicotropia_2007.html
& http://musea.musearecords.com/re_new_releaseselect.php?np=34736
Spanish reviews : http://www.articmist.org/criticas/grog.htm
& http://www.rockcore.com/reviews-142.html & on http://www.elalmacendelrock.com/...
Homepage : http://www.psicotropia.com/
Alone Rec.   El Paramo (SP,2008)****

This instrumental heavy rock band convinced me from the first till the last moment with their fuzzed bass and fuzzed electric guitars and drums sounds. It is firstly because what usually falls back on rather doomy than gloomy bass sounds in the post-Black Sabbath associated stoner rock sounds, here  the bass has a much wider perspective and range than that. The band members seem either to use the bass sounds as rhythmical warm pulses throughout the tracks for electric fuzz duets, smooth jams or rather composed melodic evolutions, from bass to higher notes. Elsewhere there can be occasional hammering bass sounds too, or bass lines are just another element within range of all guitars. The progressions bring the listener to an experience of a rather progressive energy and with an attractive heaviness within reach. Recommended.

Audio : "Infeccion de Escorpion"
& on www.myspace.com/elparamo 
Homepage :
Label : http://www.the-stone-circle.com/
& www.myspace.com/alonerecs
Description : http://www.clear-spot.nl/catalog/view.php?item_id=323954
Other reviews : http://www.peacedogman.com/reviews/120708elpar.htm
Spanish review : http://www.feiticeira.org/criticas.php?i=612