Locust Music  230 Divisadero (MON/UK,2007)****

230 Divisadero acts under a style that is more or less comparable to some works of the Use Of Ashes / Legendary Pink Dots / Edward Ka-Spel. We could recognise already a similarity in the use and arrangement of the leading voice, which first of all has that similar quality (mixed also with feedback that way), that there is an underlying baritone over/undertone in it. Secondly, the slow singing has that kind of slow and moody speed so that the voice penetrates like spoken word to a soundtrack. Also, the vocals are often double layered with two similar vocal layers (just check for instance “there’s no such thing as a human” or the following after this tracks). There is some time taken for instrumental ambience, carefully constructed with floating fuzz guitars, simple tiptoe touching stones of piano, with elsewhere more lost and lonely piano notes, electric piano vibes, clarinet, lonely harmonica notes arrangements, textures of electric bass, amplified guitar, sometimes pedalled, tiny reverb effects like feedback electronic sounds, occasional soft plucked string swipes and percussion like careful plastic and tin cup improvisations or just like wind-in-grass-and leaves sounds, and with touches of oscillating guitars and bird sounds and so on. It is full arranged so that there is a more harmonic warmth in arrangements than a lonely world feeling. A bit different, like clear thoughts in between are a few quiet acoustic songs, like “Old Photograph” with picking guitar and textured environmental space, or the concluding track, “For Cody”. An album with urban sophistication.

The band consists of Nick Grey (currently living in Monaco, also known from solo recordings, 48 Cameras and collaborations with people like Tony Wakeford, and runner of the Milk & Moon label) & Matt Shaw (UK, also with various solo recordings). Additional performances by Nicholas Davis (guitar), Gregory "Shaman" Doria (clarinet), Rodolphe Gonzales (bass), and David Widmer (cello).

Audio : "Hands" & on http://www.myspace.com/230divisadero
Label info : http://www.locustmusic.com/...
Info on EP : http://milkandmoon.com/catalog_6.html
& http://www.regenmag.com/Track-Reviews-25-230-Divisadero.html
Homepage : http://www.230divisadero.com/
More on Nick Grey : http://www.nick-grey.com/
Review of solo release I did on next page->
Review with 3 audio tracks on http://www.boomkat.com/item.cfm?id=59371
Other reviews : http://thievesandthrills.free.fr/230Divisadero/accueil.php?page=response
& http://www.popmatters.com/pm/music/reviews/50202/230-divisadero-230-divisadero/
& http://www.ukmusicsearch.co.uk/reviews/230-divisadero.html
& http://www.musicnonstop.co.uk/product-view.php?productid=19993
Beta-Lact.Ring Rec.  Christus And The Cosmonaughts : From Atop This Hill (US,2007)***°

Front man and electronic wizard Scot Solida has available a lot of serious electronic music equipment which he also presents under the name of ‘The Electronic Garden’. Together with bass player Har, and special guests on this CD, Mike Weeks (2 tracks), John (Vurt) Wright (2 tracks), Wayne Cunningham (2 tracks) and Ant Graham (one track), this album was recorded.

It sounds partly like a song album with lots of room for a specific style mix of often sequenced electronic music, with bass, electric and for the song focus parts amplified guitar. Thematically the writer is influenced by science fiction that works as an escapism from harsh realities of some other time of being, and produced by the metaphor for this, the heavy machinery of electronic wizardy in a new, but rather dark rock context.

Although it has been said Legendary Pink Dots were not a too direct influence, especially the opener, “Beyond Belief” partly electronic arrangement, very much, so sound almost exactly like some unrecalled track I have heard from them, or at least from Edward Ka-Spel, an arrangement with rhythmically breathing effects of electronica and bass sounds with slower played guitars, as a carpet for the song. With growing rhythms on it, I am again reminded at a concert I once saw from the Legendary Pink Dots (in Utrecht, Holland, some years ago), that had an almost psychedelic effect on me. Also this track builds up like this concert, rhythmically, brooding, and additionally embedded with an electric guitar solo, some echoed stringed guitars and some other, for the track essential effects. The second track, like a chapter in a book, is more driven by a slightly sad song and its lyrics of disappointment. It has glockenspiel to it, and touches of a late Floydian kind of electric guitar. Next track is sequenced like speeded up cosmic music, mixed with electric guitars, almost with a threatening fast nature as if expressing someone trapped on a different planet with only a short timespan to survive. The track after this is more electropop styled : Scot Solida was influenced by Gary Newman in his early days, something which can be heard here. The content & sphere on it is not pop, but is much darker, enclosed in a darker spirit. The next song has moods that are built by electronic, strange soundscapes. “Nod if you were..” is much more heavy electropop. Its electric guitar goes more in the direction of Richard Pinhas/Heldon, so the association with Gary Newman here is out of the question. But then it finds a more catchy rhythm, within a dark “progressive” rock reach. The instrumental “Modulating..” is built from sequenced noise, tones and samples. The final track is a last song focus with guitar, but then with new directions with weird effects, electro-pop/rock with its own dark heaviness...

As a whole the album very much sound like a musical concept. Comparisons with Legendary Pink Dots are easily made, even when this is a world and expression on its own with a certain variety reaching towards its own influences in lyrical and musical themes.

Note : the LP version has less tracks.

Audio : "The Painfree God", "Nothing to say","From Atop This Hill", "Surviving the Fanatics", "The Fractured Faithful", "Nod if You Were the Last Man Alive","Modulating Between Faith and Knowledge", "No Chance To Dream"
Info & audio : http://www.myspace.com/christusthecosmonaughts
Label info & audio : http://www.blrrecords.com/prod/1685/from_atop_this_hill.html
Homepage : http://www.ambientguitarist.com/
Info on band and members : http://www.olscratchrecordings.com/christus_and_the_cosmonaughts.htm
Description on http://www.smother.net/reviews/...
Other reviews : http://www.smother.net/reviews/...
& http://www.aural-innovations.com/issues/issue37/christus1.html
& on http://www.regenmag.com/...
BLR Rec.     Earthmonkey : Be That Charge (2cd) + Discobalistic (bonus cd) (UK,2007)***'

Speaking about a group who does not (“fucking”) care to belong anywhere : Earthmonkey is such a group. The first album of two has a strange mixture of Cramps & surf flavoured ideas, with just a few post-wave sequenced bass ideas, lots of distorted guitars, and ever changing echoes and guitar sounds and mix, making a vibrant spacey sound. Basically this is a rather darkened late night inner doors underground improvisation with spacey elements, with also a few additional programmed rhythms, with peeping psychedelic associations. The last endless long track is a psychedelic repetition (I think the same chords and fundaments was used by Ozric Tentacles once ?), mixed with spoken word.

The second CD starts with a different version of the rather Middle Eastern heavy surf kind of titletrack, skunk-like. The upbeat intensity and groovyness then calms down a bit, and these tracks sound more improvised, and in that way a bit more psychedelic too, while still exploring different groove rhythms too, which brings in psychedelic dub-like associations, surf and even jazzy grooves !! (on the last track) This and a bit of spacepsych is style-mixed-up more than once.

It is worth being quick to have one of the first 300 prints, because they have an extra bonus CD called "Discobalistic", which is the best produced and most groovy and intense mix. This sounds all improvised, and starts like wave-psychedelia, has the best use of a rhythmbox with a nice consistent complexity of arrangements that keep up the entertainment. With spoken words, voice rhythms, dark tensions, grooves, a bit of electronica, lots of rhythmic evolutions, and growing tensions the group proves to have a good producer who successfully keeps this vibrantly running. By the end the tension is high, and with the use of some partly ethnic overtone vibrations and thrills, the last track finishes this CD off with intensity.

Audio : "Be That Charge", "Jokin' Joe", "Hydraulic Bugger","Fun House", "Spinal Unwinda",
"When She Watches Television", "Echo Base", "Scaccia Pensieri", "Be That Charge Agin'""E-Freeme Buzzbomb", "Sapphire Wave", "Sister Marble Gazer"
Info on group : http://betterpropaganda.com/artist_page.asp?id=323
Info on release : http://funksoul.discogs.com/release/935087
Label description : http://www.blrrecords.com/prod/1578/be_that_charge.html
Other reviews and descriptions :
http://www.corazine.com/reviews/earthmonkey-be-that-charge
& http://www.xlr8r.com/topstories/2007/04/dinosaur_jr_beyond_fat_possum.php
& on http://www.kozmik-artifactz.com/shop/...
REVIEWS OF
AVANT POP/ROCK,
PSYCH-POP,
POST-PUNK ARTPOP,
ELECTROROCK
AND HARDER TO CLASSIFY NEW ROCK
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Prankster Dice Rec.  The Bad Hand :This is no time for modesty US,2006)****
   Daly City Rec.

The Bad Hand are an independent rock band who’s style is a rich mixture of influences and ideas which makes the group distinctive from a simple categorisation or easy style description. The guitars roar often but there are also acoustic passages and the drums take the time to focus on in between rhythms. I’m sure the band must have listened from a range of Canterbury or jazzrock to newer underground rock and beyond. The mix is intelligent, controlled and with all tempo and even arrangement changes they succeed to be logic in their evolutions. People into new inventive indierock should check this out.

Released on a 12" LP.

Audio : "Grand Theft Bravo", http://myspace.com/thebadhand
& more on http://www.dalycityrecords.com/
Other review : http://www.pitchforkmedia.com/article/...
& http://www.fishcomcollective.net/archives/category/reviews/indie/
& http://www.musiquemachine.com/reviews/reviews_template.php?id=949
& http://www.fishcomcollective.net/archives/507/

go to next review page->

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The Bad Hand, Earthmonkey, My Education,
Christus and the Cosmonaughts, 230 Divisadero
Strange Attractors  My Education : Bad Vibrations (US-TX,2008)***?



review will be added later






Audio : "Arch" and with info : http://www.myspace.com/myeducation
Video on http://youtube.com/...
Homepage : http://myeducationmusic.com/
About My Education : http://www.thirtyghostsrecords.com/bands_myeducation.htm
Label info : http://www.strange-attractors.com/catalog/saah055.html
Other review : http://covertcuriosity.blogspot.com/2008/05/my-education.html
& http://untyteld.blogspot.com/2008/05/my-education-bad-vibrations.html