Musea Rec.  Narr : Oxymore dans la chrysalide des rêves (F,2009)**°

Narr is a group wh0 started as a trio in 2004 led by bass player Clément Werner (also keyboards and baritone vocals), with Marti Ilmar Uibo on drums (and vocals) and Kalevi Uibo on guitars (this duo was also involved in ancient music with the Tormis ensemble, in jazz with Cirque Lunaire as well as in death metal with Bloody Sign), now also with Laurent Lefebvre on flute.

You can hear very much how the Music is composed and led by electric bass, creating a dark flavour to the Music. This bass often plays rather fast linear melodic, while the band, just like a powerrock or neo-progressive rock trio have their own sort of balance in sound, which they keep to follow the Lines sketched and driven by the bass player mostly, while the flautist plays a few solos on top just now and then. The music is song based but there are a few repeated lines led by bass. A very special moment can be heard on the fifth track, where the bass has a dark slightly wa-wa bass solo improvisation with a different than usual sound. Small touches of keyboards are added just now and then. Most songs are based upon a sphere close to metalfolk while the playing is progressive, this holds the group between a forest pagan mystic fantasy folk band and a neo-progressive band, a combination which makes them just in atmosphere remain a bit in between a few genres.

-On myspace they’re befriended with (besides a whole wide musical range of favourites) with Stille Volk, which I understand well (in 2001 their great album “Le Satyre Cornu” was voted by me as one of the best folk flavoured albums, for its heavy electric parts with hurdy gurdy, something I didn’t feel that strong in other albums, where they found a balance of folkrock on the edge of metalfolk interests). The way of singing of Stille Volk and their atmosphere evolving close to something more progressive makes these bands just somewhat related.-

Audio on http://www.mindawn.com/...
Info & audio : http://www.myspace.com/odravyel
Label info : http://www.musearecords.com/ext_re_new_catselect.php?np=36110
Details : http://www.progarchives.com/album.asp?id=23143
Other reviews : http://www.avantgarde-metal.com/content/beyond2.php?id=58
& http://www.proggnosis.com/PGRelease.asp?RID=28514
Dutch review : http://www.eveningoflight.nl/nl/reviews/narr_oxymore.htm
German review : http://www.babyblaue-seiten.de/index.php?content=review&albumId=9886
French reviews : http://www.amarokprog.net/albums_23500.html
& http://www.musicinbelgium.net/pl/modules.php?name=Reviews&rop=showcontent&id=3480
& http://www.progressivewaves.com/frmChronique.aspx?PRO_ID=4140



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Emkog Rec.  Birds And Buildings : Bantam to Behemoth (US,rec.2007,pub.2008)***°'

People might have noticed that I review less new and especially neo-"progressive rock” albums nowadays, and I intend to lower that number even more. But just now and then, when noticing some distinctive talent of a group, I do accept submission to promote such efforts.

This is the third project of Dan Britton after ‘Cerebus Effect’ and ‘Deluge Grander’, and it shows a talent way above the average new progressive rock record. I was especially amazed by the multilayered complexity of how the opener, “Birds flying into buildings” started, with almost gamelan-like melodies, mixed with a sax solo, then adding a mellotron lead part, becoming more melodic, changing its complex rhythm some times and being definitely symphonic-progressive in nature. The first time when Dan adds a singing part, on “Terra Fine”, with slightly deformed voice, I was not entirely convinced by this, but the music, in a symphonic way, still makes up for this well. I was however immediately convinced by the female vocalist (Megan Wheatly) on “Chronicle..”. But when the male lead vocals return on “Battalion”, a strong filmic symphonic track and composition, this element gives a modern feeling : it sounds like a good addition. Even when on “Yucatan..” especially, the symphonic/progressive arrangements can become dense and thick, as something which usually happens with neo-prog, like on this track, there suddenly comes a strong and more intense ending; there are always thoughtful solutions, with jazzrock flavours, good rhythms or certain keyboard changes or some Spanish guitar, knowing always what to do to keep the compositions rewarding. “Chakra Khan” has interesting Spanish flavoured guitar with thick keyboard layers, including a Spanish flavoured harpsichord, mellotron and guitar duets, was another such a track which became a bit dense and thick after a while, while still evolving to a strong ending. More than once, and especially near the end, the group becomes very much one entity, which is one of the things that makes this release so strong.

PS. ‘Birds and Buildings’ now also has an additional violin player, and is working on a second album, to be published near the end of the year. Also Deluge Grander will have a new release ready around that time.

Audio and info : http://www.myspace.com/birdsandbuildings
& http://cdbaby.com/cd/birdsbuildings
Label : http://www.delugegrander.com/Emkog_Records.html
Other reviews on http://www.waysidemusic.com/...
& http://www.progarchives.com/Review.asp?id=165289
& http://www.progressiveears.com/asp/reviews.asp?albumID=4396&bhcp=1
& http://www.panprogtikum.de/node/3531
& http://www.disagreement.net/reviews/birdsandbuildings_bantamtobehemoth.html
German reviews : http://www.babyblaue-seiten.de/...
& http://www.progrock-dt.de/rezensionen/birds-and-buildings-bantam-to-behemoth
French review : http://www.progressivewaves.com/frmChronique.aspx?PRO_ID=2948

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Birds and Buildings ('07/'08)
Deluge Grander ('09)
Narr (09)



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Emkog Rec.  Deluge Grander : The Form Of The Good (US,2009)***°

There is expressed indeed a full “grandness” in the arrangements. This is especially very successful for the first three (of five) tracks. Here we hear creations of very rich cooperative sounds without any dominating instrument, and also a whole series of stylistic theme dominated parts. Rich in sounds for instance is the first part with nicely played violin and the mixtures with choir arrangements. This is followed by Genesis-like keyboards mixed with acoustic guitars, followed by a post-Scandinavian scene-alike mellotron with electric guitars, then a few intelligent symphonic-jazzrock rhythmic evolutions, evolving to a neo-symphonic round-a-bout-intensity of complexities, including some flute and violin and more electric parts. It is obvious that a lot of work must have gone into this. For the total concept this must have been some 2 years in the writing, rehearsing, rewriting, re-recording and arranging, until all was perfect. And the result is worth hearing having put in so much effort. Such tracks surely stand out well against the better classic 70s-90s examples! The third track is based upon a moody 2-chord keyboard/bass theme, turning once more, rather quickly, into more sympho-jazzrock complexity, which thanks to the rhythmically interesting bass/rhythm evolutions, succeeds well in overcoming a saturated feeling of the dense arrangements. Also the next track starts calmly, partly classical but then becomes mostly more neo-symphonically arranged, first with a not too complex inside melodic theme drift this time, having baroque flavours leading to much more saturating arrangements, perhaps because the melodic theme is stretched in much larger part, leaving no time to breath or to find another focus. The theme still thoroughly changes, but not enough to get rid of the feeling that for this longest track a more generalised dense method of arrangements is used. Of all the positive things I have noticed on the first tracks less of these qualities are used on these two last tracks. They fall back more on the melodic neo-symphonic area, due to the underlying theme and structure which could not have had much more made from it. Despite all that, the attempt has had its long moments of greatness but just fails to surprise as much for a full album's length.

Leading musicians are the Baltimore based keyboardist Dan Britton and drummer Patrick Gaffney. Guest musicians were mostly from College Park, MD.

Audio and info : http://cdbaby.com/cd/delugegrander2 & http://www.myspace.com/delugegrander
Info : http://www.delugegrander.com/Releases.html
& (with 1 audio track) : http://www.progarchives.com/album.asp?id=22766
Info band : http://www.gepr.net/da.html#DELUGEGRANDER
Description on http://www.waysidemusic.com/... & http://www.lasercd.com...