Ex-Tension/Harmoniu MundiElull Noomi : Uléella (F,2007)***°

This French vocal only group had released this album on Stella Vander (Magma) and Francis Linon’s label. Especially on the title track (besides you can see the reference on the image of the front cover) you can notice some Magma reference, where some part of the vocal group repeats for a while, in harmony vocals, some phrases, and an electric bass and cymbals seems to have been imitated by voice alone. For an over 60 minute album the band really succeeds well in keeping your attention well, but I think this also reached the limit, for then you really feel what they are capable off and to what exchange their musical language reaches. They used their own invented language (just like Magma) especially suited for these musical purposes, a language which often still has lots of basic elements that are more typical of French language, so with its own elements of musical associations (like the same sort of rhythmic alternations and opening syllables for instance), opened up with some use of the qualities of the extra musicality that can be used in its language, like on “Nadaalis Emoo” where also certain syllables are alternated one by one. Besides the voice as a language performing instrument this is also used to add rhythmical accents (with syllables for the expressions of rhythms like with “sh/t/tkkddk/k”, or for sound imitating combinations like tshh,pff,pshh,tsh, or just for certain accents like e/h), or for melodic- rhythmical backing (like with the usual papapaa and tadadaa and tututuu and pampam and such), which leads occasionally to jazz improvisation techniques more than when it was created from pure sound-compositional ideas, this is luckily not overused at any time. The harmonies are always interesting and sophisticated, and the rather spontaneous alternation of lead singers or new combinations luckily gives enough change to have enough interesting evolutions between improvisation, song orientation, melodic harmony drives, with more emphasis on certain layers of arrangements and polyphony and multi-picked variations of all this. A nice arty release.

Video : http://www.youtube.com/watch?v=AeeYe7XoUBA
Info & audio : http://www.myspace.com/elullnoomi
Homepage : http://www.elullnoomi.com/
Description on http://www.waysidemusic.com/...
Other review : http://www.ex-tensionrecords.com/ex05/english.htm
Musea Rec.  Narr : Oxymore dans la chrysalide des rêves (F,2009)**°

Narr is a group wh0 started as a trio in 2004 led by bass player Clément Werner (also keyboards and baritone vocals), with Marti Ilmar Uibo on drums (and vocals) and Kalevi Uibo on guitars (this duo was also involved in ancient music with the Tormis ensemble, in jazz with Cirque Lunaire as well as in death metal with Bloody Sign), now also with Laurent Lefebvre on flute.

You can hear very much how the Music is composed and led by electric bass, creating a dark flavour to the Music. This bass often plays rather fast linear melodic, while the band, just like a powerrock or neo-progressive rock trio have their own sort of balance in sound, which they keep to follow the Lines sketched and driven by the bass player mostly, while the flautist plays a few solos on top just now and then. The music is song based but there are a few repeated lines led by bass. A very special moment can be heard on the fifth track, where the bass has a dark slightly wa-wa bass solo improvisation with a different than usual sound. Small touches of keyboards are added just now and then. Most songs are based upon a sphere close to metalfolk while the playing is progressive, this holds the group between a forest pagan mystic fantasy folk band and a neo-progressive band, a combination which makes them just in atmosphere remain a bit in between a few genres.

-On myspace they’re befriended with (besides a whole wide musical range of favourites) with Stille Volk, which I understand well (in 2001 their great album “Le Satyre Cornu” was voted by me as one of the best folk flavoured albums, for its heavy electric parts with hurdy gurdy, something I didn’t feel that strong in other albums, where they found a balance of folkrock on the edge of metalfolk interests). The way of singing of Stille Volk and their atmosphere evolving close to something more progressive makes these bands just somewhat related.-

Audio on http://www.mindawn.com/...
Info & audio : http://www.myspace.com/odravyel
Label info : http://www.musearecords.com/ext_re_new_catselect.php?np=36110
Details : http://www.progarchives.com/album.asp?id=23143
Other reviews : http://www.avantgarde-metal.com/content/beyond2.php?id=58
& http://www.proggnosis.com/PGRelease.asp?RID=28514
Dutch review : http://www.eveningoflight.nl/nl/reviews/narr_oxymore.htm
German review : http://www.babyblaue-seiten.de/index.php?content=review&albumId=9886
French reviews : http://www.amarokprog.net/albums_23500.html
& http://www.musicinbelgium.net/pl/modules.php?name=Reviews&rop=showcontent&id=3480
& http://www.progressivewaves.com/frmChronique.aspx?PRO_ID=4140



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Emkog Rec.  Birds And Buildings : Bantam to Behemoth (US,rec.2007,pub.2008)***°'

People might have noticed that I review less new and especially neo-"progressive rock” albums nowadays, and I intend to lower that number even more. But just now and then, when noticing some distinctive talent of a group, I do accept submission to promote such efforts.

This is the third project of Dan Britton after ‘Cerebus Effect’ and ‘Deluge Grander’, and it shows a talent way above the average new progressive rock record. I was especially amazed by the multilayered complexity of how the opener, “Birds flying into buildings” started, with almost gamelan-like melodies, mixed with a sax solo, then adding a mellotron lead part, becoming more melodic, changing its complex rhythm some times and being definitely symphonic-progressive in nature. The first time when Dan adds a singing part, on “Terra Fine”, with slightly deformed voice, I was not entirely convinced by this, but the music, in a symphonic way, still makes up for this well. I was however immediately convinced by the female vocalist (Megan Wheatly) on “Chronicle..”. But when the male lead vocals return on “Battalion”, a strong filmic symphonic track and composition, this element gives a modern feeling : it sounds like a good addition. Even when on “Yucatan..” especially, the symphonic/progressive arrangements can become dense and thick, as something which usually happens with neo-prog, like on this track, there suddenly comes a strong and more intense ending; there are always thoughtful solutions, with jazzrock flavours, good rhythms or certain keyboard changes or some Spanish guitar, knowing always what to do to keep the compositions rewarding. “Chakra Khan” has interesting Spanish flavoured guitar with thick keyboard layers, including a Spanish flavoured harpsichord, mellotron and guitar duets, was another such a track which became a bit dense and thick after a while, while still evolving to a strong ending. More than once, and especially near the end, the group becomes very much one entity, which is one of the things that makes this release so strong.

PS. ‘Birds and Buildings’ now also has an additional violin player, and is working on a second album, to be published near the end of the year. Also Deluge Grander will have a new release ready around that time.

Audio and info : http://www.myspace.com/birdsandbuildings
& http://cdbaby.com/cd/birdsbuildings
Label : http://www.delugegrander.com/Emkog_Records.html
Other reviews on http://www.waysidemusic.com/...
& http://www.progarchives.com/Review.asp?id=165289
& http://www.progressiveears.com/asp/reviews.asp?albumID=4396&bhcp=1
& http://www.panprogtikum.de/node/3531
& http://www.disagreement.net/reviews/birdsandbuildings_bantamtobehemoth.html
German reviews : http://www.babyblaue-seiten.de/...
& http://www.progrock-dt.de/rezensionen/birds-and-buildings-bantam-to-behemoth
French review : http://www.progressivewaves.com/frmChronique.aspx?PRO_ID=2948
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Birds and Buildings ('07/'08)
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Narr (09)
Vox Nostra ('09)
Elull Noomi ('07)


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Emkog Rec.  Deluge Grander : The Form Of The Good (US,2009)***°

There is expressed indeed a full “grandness” in the arrangements. This is especially very successful for the first three (of five) tracks. Here we hear creations of very rich cooperative sounds without any dominating instrument, and also a whole series of stylistic theme dominated parts. Rich in sounds for instance is the first part with nicely played violin and the mixtures with choir arrangements. This is followed by Genesis-like keyboards mixed with acoustic guitars, followed by a post-Scandinavian scene-alike mellotron with electric guitars, then a few intelligent symphonic-jazzrock rhythmic evolutions, evolving to a neo-symphonic round-a-bout-intensity of complexities, including some flute and violin and more electric parts. It is obvious that a lot of work must have gone into this. For the total concept this must have been some 2 years in the writing, rehearsing, rewriting, re-recording and arranging, until all was perfect. And the result is worth hearing having put in so much effort. Such tracks surely stand out well against the better classic 70s-90s examples! The third track is based upon a moody 2-chord keyboard/bass theme, turning once more, rather quickly, into more sympho-jazzrock complexity, which thanks to the rhythmically interesting bass/rhythm evolutions, succeeds well in overcoming a saturated feeling of the dense arrangements. Also the next track starts calmly, partly classical but then becomes mostly more neo-symphonically arranged, first with a not too complex inside melodic theme drift this time, having baroque flavours leading to much more saturating arrangements, perhaps because the melodic theme is stretched in much larger part, leaving no time to breath or to find another focus. The theme still thoroughly changes, but not enough to get rid of the feeling that for this longest track a more generalised dense method of arrangements is used. Of all the positive things I have noticed on the first tracks less of these qualities are used on these two last tracks. They fall back more on the melodic neo-symphonic area, due to the underlying theme and structure which could not have had much more made from it. Despite all that, the attempt has had its long moments of greatness but just fails to surprise as much for a full album's length.

Leading musicians are the Baltimore based keyboardist Dan Britton and drummer Patrick Gaffney. Guest musicians were mostly from College Park, MD.

Audio and info : http://cdbaby.com/cd/delugegrander2 & http://www.myspace.com/delugegrander
Info : http://www.delugegrander.com/Releases.html
& (with 1 audio track) : http://www.progarchives.com/album.asp?id=22766
Info band : http://www.gepr.net/da.html#DELUGEGRANDER
Description on http://www.waysidemusic.com/... & http://www.lasercd.com...
preview cdr Vox Nostra : Anima (F,2009)***'

Like Magma used Bartok as an example for their new rock version, it is as if the band clearly learned/took something from this approach (especially in the harmonies of the singing and in some parts musically). But this is done without the challenging elements (as the sort of ground breaking approach which progressive youngsters tend to unclose). The reference towards it is more like a small interesting rhythmic change in balance towards more progressive elements with some more (and fine) electric guitar or like a different touch in the rhythmic complexity, while the fundaments sound of a much more almost religious approach, like in the concept of a Mass, using Latin merely as a liturgical language. Musically and spiritually this fundament delivers a sort of safe haven, with relaxedness and sweet harmonies, and use of jazz-melodic classical piano. Despite the leaning towards certain mellowness the musical concept remains convincing and entertaining, uplifting it to a certain mood in which the sacral/sacred elements finds certain variations and in which the progressive leanings certainly make it work well.

Apparantly, guitarist Jean-Claude Delachat has played for Magma some time and has been a member of another zeuhl inspired band called Edder Stellaire.

PS. The band is still looking for a label or chance to release this.

Info & audio : http://www.myspace.com/voxnostra
Info : http://www.progarchives.com/album.asp?id=23209
Other review : http://www.jerrylucky.com/reviews%20u-z_010.htm
You can find a good quality to listen to & order it on http://www.selfprod.com/voxnostra/
(see also next item->)