Centr.Contr.Intern.    Strings Of Consciousness : Our Moon Is Full (F/UK/US,2007)***°

String Of Consciousness for me has some elements that fit in with the times. A first sort of significance in their group’s name for me is their awareness of the new scenes with all the good contacts, which gave this, now also international, group, a sort of awareness, like guided by some business cooperation. The founding members had some time worked with two distinctive French independent labels, like Pandemonium (first home of Cerberus Shoal, Guape,..) and BiP_HOp (Erik Friedlander, Rothko,..). While thus living on the top of their sensitive nerves, seeing the more valuable "oil sources" in the post-rock underground waters flooding abive the avarage like the valuable parts, they had also experienced some of the different new music possibilities in that field. Especially he first couple of tracks on their CD makes me similarly conscious of how quickly the modern times evolved and have added so many new forms of expressions and styles in music. It is as if the group bring this compilation of ideas, also like in a string of consciousness, together, and connect this into one power and identity, which, like the logo of the group contains some confusing strings and energies with twists and turns and contrasting directions, and lots of different sounds, but also still hold together with a feeling for how this also could belong together in a natural, even rather complex way when you look into the details (there are no less than 9 people participating!). A third and last association which makes their name so fit well can be noticed in the later tracks especially, because they are more distinctive of words with music. All tracks have in fact spoken word by a assimilation of many separate guest vocalists, some of which are relatively well known (J.G.Thirlwell (Foetus/Steroid Maximus), Barry Adamson, Eugene Robinson (Oxbow), Scott McCloud (Girls Against Boys), Pete Simonelli (Enablers), Black Sifichi and Lisa Smith-Klossner). These vocalists give extra expression with a literary association (perhaps just a bit inspired by the idea of the dry and intellectual cynical readings by W.S.Borroughs more than once put on music). Some of these tracks more clearly add lush and moody jazz to the mixture of new post-rock ideas, a bit of chamber arrangements and so on. With the first listen, this album sounds often a bit dry and musically at times slightly confusing, and a bit away from real emotional involvement in the need to express all this, but this is only a first impression.

Strings Of Consciousness are : Raphaelle Rinaudo (harp), Andy Diagram (trumpet / electronics), Nicolas Dick (guitars), Abdenor Natouri (double bass), Perceval Bellone (saxophone, Tibetan bowls, flute, piano), Hervé Vincenti (guitar/laptop), Philippe Petit (Theremin/laptop/turntables), Alison Chesley (cello), Stefano Tedesco (vibraphone).

The group cooperated live before with Bob Mould, The Sea and Cake, Frank Black, Robert Wyatt, Soft Machine, David Thomas/Pere Ubu, Spaceheads & the Deviationists.

Audio : http://www.myspace.com/stringsofconsciousness  & on http://www.virb.com/...
Homepage : http://www.stringsofconsciousness.info/
Other reviews : http://brainwashed.com/index.php?option=com_content&task=view&id=6463
& http://www.greenarrowradio.com/2007/09/22/strings-of-consciousness-our-moon-is-full/
& http://www.drownedinsound.com/release/view/11163
& on http://shop.vh1.com/...
& http://www.regenmag.com/Reviews-1064-Strings-of-Consciousness-Our-Moon-is-Full.html
Label page : http://centralcontrol.co.uk/
Bloodfish Rec.    Phideaux : The Great Leap (US,2006)°°°?

new release. I won't review it.

Audio : http://cdbaby.com/cd/phideaux5
Homepage : http://www.bloodfish.com/ & with audio : http://www.myspace.com/phideaux
Other review : http://www.musicstreetjournal.com/phideauxcd06.htm
German reviews : http://www.babyblaue-seiten.de/album_7452.html
& http://www.justforkicks.de/.
Bloodfish Rec.Phideaux : Ghost Story (US,2004)***°

It wasn’t easy to place the group's music because it has certain influenced elements of 80’s pop as well as progressive edges. It surely has Xavier Phideaux musical interests and listening pleasures in them. His musical interests span between Van der Graaf Generator, Joy Division, David Bowie, Joy Division and Steeleye Span.
It has lots of fuzz guitars, some electric guitars, partly electrified vocals, .. I don’t know yet which vocalist the singer reminds me of most. Some recognised Al Stewart, but then you could also say it is mixed with elements of someone like Robert Palmer and Gary Newman or so, without a limitation to any of these. The 80’s pop elements surely are there in the song melodies. But it is not only the rhythmical section and ideas, as well as some keyboard touches, which uplift the music beyond any pop music. The musical fundaments are recognisable and highly enjoyable, which makes the album fly by before you know it.

Info on Ghost Story : http://www.bloodfish.com/GhostStoryPage.html
& (with audio) : http://cdbaby.com/cd/phideaux2
& http://www.progarchives.com/Progressive_rock_discography_CD.asp?cd_id=10894
Review : http://www.geocities.com/prognaut/reviews/phideaux2.html
& http://www.artistdirect.com/nad/store/artist/album/0,,292597,00.html
& http://www.dprp.net/reviews/200418.html#phideaux
& http://www.dailyvault.com/2004_04_09-de.html
& http://www.smother.net/reviews/modernrock.php3?ID=393
Spanish review : http://www.eufonia.net/html/phideaux.html
German review : http://www.metal-reviews.de/baseportal/CDs/kritikendetail&Id==4833

Bloodfish Rec.Phideaux : Chupacabras (US,2005)****

The second album starts immediately with more ambitious arrangements (female vocals, and keyboards on the intro “Okay”). The used arrangements and the choice of instruments on the titletrack, "Chupacabras", is much more worked out than before, with more variety, like the best progressive symphonic rock (using sitarguitar, mellotron, vocal arrangements,..). Also the lead vocals are more directing towards sensitive acid folk songwriting compared to the first release which had a more post-80’s influence. The female vocalist is a welcome addition too, as well as the extra band members. The track also has a beautiful acoustic part (flute, acoustic guitar, slide guitar, cello). On “Party”, this track has again poprock abilities, in a very positive way, with good vocal colour changes. The track has a New Order like danceable strength. After a calmer track, "Fortress Of Sand", "Ruffian on the stairs" like the two following tracks ("Sunburnt", "Return Of The Ruffian"), have harder elements, with the post-80's elements well performed in a rock context, and with very progressive details. The last calmer track "Titan" shows me once more what a (emotionally) rich voice the vocalist has.
A very strong and original album.

Info on Chupacabras : http://www.bloodfish.com/ChupacabrasPage.html
& (with audio) http://cdbaby.com/cd/phideaux3
& http://www.progarchives.com/Progressive_rock_discography_CD.asp?cd_id=10895
Review : http://www.geocities.com/prognaut/reviews/phideaux3.html
& http://www.dprp.net/reviews/200563.html#phideaux
German review : http://babyblaue-seiten.de/index.php?content=review&albumId=6867
& http://www.bright-eyes.de/baseportal/CDs/kritikendetail&Id==6866

Bloodfish Rec.Phideaux : 313 (US,2005)***

This album is again pop(rock) orientated. Xavier Phideaux has a very colourful voice which is already half of the qualities of the music. "Body to Space" surprisingly has a female vocal arrangement with acoustic guitar and mellotron which goes much more into the acid folk direction. All other tracks have the definite post-80's pop feel.
The 20 page booklet more reads like an art-comic book.

Info on 313 : http://www.bloodfish.com/313Page.html
& http://www.progarchives.com/Progressive_rock_discography_CD.asp?cd_id=11342
German review : http://babyblaue-seiten.de/index.php?albumId=6878&content=review

Label : http://www.bloodfish.com/
Homepage : http://www.myspace.com/phideaux
Info : http://www.progarchives.com/Progressive_rock_discography_BAND.asp?...

Second album for download : http://www.bloodfish.com/FiendDown.html
with info : http://www.bloodfish.com/FiendishPage.html
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Listed on this page :
Phideaux, Patrik Skantze, Welcome, Tea For Two, Guy Fawkes,
Imogene, Itamar Ziegler, 9 on Bali, Strings Of Consciousness
Acuarela DiscsManyfingers : Our Worn Shadow (UK,2006)****'

review of this moody multilayered-minimalist, slightly jazzy, mostly acoustic album
moved to http://psychedelicfolk.homestead.com/psychfolkpopreview4.html#anchor_217



Mi Mo Sound Rec.  Patrik Skantze and the Free Souls Society :
Fiction at first view (S,200?)****

review of this progressive singer-songwriter album moved to
http://singersong.homestead.com/newsingers-12.html#anchor_520
Fat-Cat Rec.Welcome : "Sirs" (UK,2006)****?

review moved to http://progressive.homestead.com/sixties.html#anchor_154
Intrepd Sound Rec.     Imogene (2006)***

This band has first of all a very attractive rhythmically driven (Andy Campanella, drums) fuzz bass (David Melbye plays 8-string bass, and CJ Cevanos 4-string bass), and often some Fender Rhodes (Gabe Cohen) or other keyboards, which is a relatively simple but powerful foundation for the songs, that has here and there electric guitar too. The vocals, sometimes slightly distorted, and songs for me have a post-60’s psychedelica association. Bass and drums are the grooves, while the songs at the same time have lightness, with a catchy sunny rhythm, a combination which makes an attractive balance in the group’s sound.

Audio : http://www.cdbaby.com/cd/imogene & http://www.myspace.com/imogene &
& http://www.imogene.info/music.html
Homepage : http://www.imogene.info/
Quixote Music    Tea For Two : Twisted (D,2006)***'

First of all, the singer’s voice reminded me very much of a pop voice who made a hit in the eighties, I think it was a song with song lyrics like “It’s aaall so …(magic?)..”, sung with an equally attractively coloured pop voice. Tea For Two, with this release has that kind of strength which is more difficult to categorize. Their first track, “Spanish Night” fuses in attractive way flamenco themes with pop abilities, while most music has rather progressive rock arrangements, coming rather close to the kind of arrangements with song from Peter Hamill (from Vandergraaf Generator) but perhaps fits well, in an honest retro way, with a few more groups from the British ‘70s era, (getting the idea of Jethro Tull song structures, as well as their folk flute influence into arranged poprock structures here and there, or some Genesis during instrumental parts with symphonic piano combined with guitars, or small details of early Marillion’s symphonic synths, and so on,..) that could all be close influences. In relatively short tracks there can be happening a lot in the compositions in a short time, giving an impression that some of these tracks are much longer than they are (especially “soundscapes”). The songs themselves have most often a poprock attractiveness. A decent release which becomes more interesting with each listen.

The group exist since 1985. This is their third release.

Homepage : http://teafortwo.de & with audio : http://myspace.com/t42de
Band introduction : http://www.progarchives.com/...
Short track description : http://forums.rollingstone.com/showthread.php?t=2512
Label info : http://www.quixote-music.de/index.php/cPath/1_2/category/tea-for-two.html
or http://www.teafortwo.de/mp3/twisted/__teafortwo_twisted_info_en.pdf
German reviews : http://www.idioglossia.de/review.php?id=704
& http://www.babyblaue-seiten.de/i...
& http://www.rocktimes.de/gesamt/t/tea_for_two/twisted.html
Itamar Music      Itamar Ziegler (IS/US,2002)****

Itamar Ziegler is the bass player of various groups, like The Blam, Pink Noise, Shot'nez and Balkan Beat Box (the last one I reviewed on next review page). I had to listen many times to the albums before I could place them well. The first album is a well recorded, partly studio, partly home-made 4 track recording of collected ideas. Knowing that this is the conception of a bass player helps to figure out how these ideas came into existence. Like a singer-songwriter builds up melody and rhythm, and colourful instrumentation to the song-core, Itamar often starts from an interesting bass line (in rock, blues or with an ethnic flavour or idea of origin) and then adds colourful instrumentations and rhythms, and sometimes a song. This perspective gives a different, rather clever-in-sounds style, which is distinctive from many groups. Also telephone messages were used twice to inspire an instrumental, and perhaps now and then an idea for a song. A rewarding album full curious surprises.

Audio : "singalon'","you're like", "suck", "filth", "mud", "arabic surf dance"
Homepage : http://www.itamarziegler.com/ & with audio : www.myspace.com/itamarziegler
Info on release and other reviews : http://www.itamarziegler.com/music/solo1.htm
and with more audio (and reviews) : http://cdbaby.com/cd/itamarziegler1
Interview : http://vpinterviews.blogspot.com/2005/10/itamar-ziegler.html


Itamar Music      Itamar Ziegler :
"The Birds, The Sky, The Trees...all That Shit" (IS/US,2002)****


review and links of this more song based second album is added on
http://singersong.homestead.com/newsingers-14.html#anchor_615
Private      Guy Fawkes : Twice Told Tales (I,2002)**°

I leave CDR promo’s more often lying much longer as the last options for reviewing, certainly when it needs more time to get a grip on the music. This album looks like a book, has a title refering to a book and sounds as if it consists of not tracks, but pages with pictures from a book, which are not seen but heard by ears. Non of these tales tell much of a story, but are like rough fragments, as if browsing a book for the first time. They are like looped ideas of minimum electronica in some tracks, a classical guitar duet, a Chinese melody with Chinese instruments, a Baroque piano piece, a Rhodes piano improvisation and things like that. It is a short album, and all tracks are rather short, and I cannot describe the impression it left from me, the same way as from when I’ve looked at a colourful book in a a store, which I laid down afterwards, and looked further for something new..

Info : http://www.myspace.com/guyfavvkes


Private      Guy Fawkes : Ergangene Gedanken (I,2006)**°

Also this (second) release cannot be grabbed in one listen. It could be considered as a loose soundtrack, with the real content that still needs to be filled in. Especially the first track sounds like that, (-the title of the album signifies “lost thoughts”-). It has some spreading-around-the-environment diversity of keyboard sounds loops, like ghosts of seagulls, while another, more steady, New Age form of a tune on keyboards, bass and rhythms form another layer, while a more heavy electric guitar, and a bit of trumpet and sax, improvises in the background, fighting against the stream, like a battle causing more chaos than order ; but in the end, trumpet and sax still win in a ‘bebop jazz’ order. Most of the tracks have a similar struggle between falling apart and building up layers. There are also many acoustic and classical guitar passages. Some of them aren’t played upto a real ending. Some footsteps, and a door click switches to the next track. “The Procession” plays with classical arranged passages, that, like collages, are also dealing with the same kind of struggle. When we come to the last track, a variation of the firstly used musical elements closes the circle a bit (with keyboard layers and with droning sounds, building up, while adding spacey sounds, and with the interaction of some electric guitar. Then, (like some of the inbetween sounds on the Ithaca album), the sound of switching the paper to the next page, in fact closes the music, like turning the page of a script.

This new release is free downloadable at http://www.mediafire.com/?3aynunsyn79
Info : http://www.myspace.com/guyfavvkes
CropCircleCollective     9 On Bali : Sanur (US,2007)**°


review moved to
http://progressive.homestead.com/INDOREVIEWS2.html#anchor_79