JAPANESE NEW ACOUSTIC MUSIC REVIEWS :



Kama Aina (3 x), Moose Hill, Naomi & Goro, Lullatone, Pascals, Shunsuke Mizuno, Yoshio Machida, Yasushi Yoshida, Andy Akiho, Asa-Chang & Munray, Pan-Asian Ensemble
Geographic   Kama Aina : Music Activist (JAP,2004)**°'

Kama Aina is a project led by Takuji Aoyagi. Much of his inspiration seems to come from travelling. Often an acoustic guitar theme is driven by a minimal rhythm performed by handpercussion, sometimes mixed with some electronica or tapemix, (-shown with a minimal rhythm box on "Theme Of Raft" or "Islanders"-), derived and filtered from somewhat exotic ideas, like Brazilian jazz or things like that. These filtered ideas gives something new, free and a liberated (, even happy) feeling. (Takuji might refer to this as to the pleasures people on islands have with music). It sounds minimilized to the essences of inspiration, with a playful game of what music can become. Most of these ideas have a connection and dialogue between the first rhythm inspiration and the fitting acoustic guitar melody close and sweetly living together. -Some of these rhythms have something of minimalist breaks that sound pretty modern to me-. To make it sound optimal there’s additional sonic help from xylophones, flutes, environmental sounds, organ, etc. all truly colourful. ("The Coo Coo Bird 1" is the most psych-folk like). Near the end a couple of tracks used also some environmental sounds, and some pre-recorded music samples. As a kind of diary resume these tracks definitely were inspired by travels on Bali (like “Wedding Suite”, “Foot”). This release is a compilation made from Kama Aina’s previous releases. Very good and highly enjoyable !

More audio : "Yella Rottlander", "Worms in '71" & http://www.myspace.com/clubkamaaina
3 more audio tracks : http://www.boomkat.com/artist.cfm?a=2700
Info on artist : http://www.dominorecordco.com/artist.php?artist=191
Review : http://gravitygirl.shafted.com.au/011.html
French review : http://www.webzinenameless.net/chroniques/chronique.pl?20041109021144
German review : http://www.b-si.de/news/kamaaina.htm
Label website : http://www.geographicmusic.com/
Japanese page on Kama Aina : http://www.bls-act.co.jp/folkcore/  next Kama Kaina related releases ->
333Discs  Kama Aina / RT / Moose Hill : Rainbow Hawaii (JAP,2006)***°'

This is the first of two photo/illustrations book related albums as a cooperation between Kama Aina, late 60' folk singer Wataru Takada or Ren Takada and Moose Hill. The photo’s show the sweet Hawaii, a heart centred and focused island in town and on the beach, modern and nature, with gentle illustrations by some children or painted spontaneous like children. The music has a red wire of Hawaiian elements, like the guitars (Hawaiian and self-built guitars), the beach sounds and the birds, and the happy mood. You can always feel the atmosphere. The contributors succeed well to build a consistent compilation as if one composer controlled the project, showing the image of Hawaii mostly as the most important reference of inspiration, with a certain choice and balance between some of the used instruments and smoothly improvisational rhythm.

Japanese info by label : http://www.333.ro/releases/029/index.html
Ren Takada homepage : http://www.tone.jp/takadaren/index.shtml
Kama Aina homepages : http://artactivist.weblogs.jp/ and with audio : http://www.myspace.com/clubkamaaina
Moose Hill page : http://www.moosehill.jp/

333Discs  Kama Aina / RT / Moose Hill : Hawaii, Hawaii (JAP,2006)***°'

Also this release sounds like it was very inspired by Hawaii, the mood, the warmth, the beach. Both releases could be a perfect promotion book for potentional visitors, from the lovely happy children on the crystal-clear beach, to the contrasting cloudy tree mountains, the bumpy asphalt roads and huge white buildings of apartments, to smaller simple houses (reminding me of the by the American government hated, Cuba, -especially because they were not allowed to have military basis there-), and other shiny or simple details. Things sound simple and sweet, and so does the music make it equally attractive, expressed in a delicately rich, affectionate synthesis. I have the impression, although the composers are credited on specific moments, he trio worked very much in a group consciousness, combining their talents, and reflecting each others inspirations in each following song or instrumental. In that way they built the album up on the first tracks mostly with acoustic guitars, touches of ukulele and slide guitar. A sudden keyboard rhythm at first surprised me, unexpectedly, but after more listens I understood how each track builds up further, and this is sometimes with a new turn. The keyboard evolution brings us to different rather funny rhythms and sounds. Then natural rhythms and sounds, and some chamber orchestrations are added (with additional fitting instruments like marimba, thumbpiano,..).
I recommend searching for both items, because they fit beautifully together, as well a photoprintbooks, as a guiding and inspired musical documentary.

Audio : "little hawaii" (RT), "wedding song" (KAMA AINA), "captain coo" (MOOSE HILL), "skip on-do" (RT), "punahele" (RT), "I'll be seeing you" (KAMA AINA), "rain,cars and the sea" (KAMA AINA),
"baby robinson"(MOOSE HILL), "TIMEO (MOOSE HILL), "stairway to HONOLULU" (RT)
Label info : http://www.333.ro/releases/015/index.html ;      newer release is reviewed on next page->
Tonetone Rec.     Moose Hill : Desert House (JAP,2006)****

Moose Hill is the solo work of songwriter and guitarist Goro Ito (Naomi & Goro). It is composed music with a nice balance between classical chamber music, with some minor key minimal piano, mixed with some extra moody acoustic arrangements, with use of some multi-dimensional modern studio mix techniques (using reverbs, cut-and-paste, and with some samples of situations), with touches of analogue electronica, and a few songs (sung by Tomoyo Harada) of which the 7th track is more a sophisticated pop track. All other tracks hold the perfect middle between the abstract and melodic. Japan is an island, which is logically surrounded by water ; this idea I can find in this music, which shows a full surround influence of fresh airs in the sounds, music and composition. A beautiful and sweet minimal art piece.

Homepage : http://www.moosehill.jp/
& with audio : http://www.myspace.com/moosehillgoro
333Discs V.A. : スープと音楽と、 (JAP,2006)***°

This seems to be a compilation of related groups and projects around the duo Naomi & Goro (Naomi & Goro, Cinnabom -Naomi solo ?-, Moose Hill –Goro solo-, Tico Moon, and Achordion). The booklet shows beautiful photographs of Japanese haute cuisine dishes (soups?). It looks a bit like a sponsored compilation like a kind of restaurant music. Deliberate or not, it could be used for it. I also noticed how the recipes of the dishes are included. Naomi & Goro play often a kind of bossa nova type of music sung in Portuguese with sophisticated jazzy classical guitar and sung with a warm sweet voice. I’m mostly not such a fan of bossa nova, but this tempered, warm and calm interpretation of Naomi & Goro is  perfect in inner balance. Some other projects of the duo focus more on the instrumental more chamber-like acoustic music, showing delicacy and refinement. This gives a very rich variation to the project. Beautiful music for eating quality soup/dishes !

Label info (Japanese) : http://www.333.ro/releases/020/index.html
I assume the CD Teaism is a bit inspired on this project. Review on next page->

333Discs  Naomi & Goro  : Home (for 1+Stylers) (JAP,2006)****

review you can read on  http://www.psychedelicfolk.com/folk.html#anchor_74
Another playful, chamber music related item is from Pascals. This is reviewed on http://psychemusic.org/prog11.html#anchor_148
More new acoustic (Fusion) music by Shunsuke Mizuno : Slow Time is reviewed on http://psychefolk.com/FUSION.html
Yoshio Machida : Infinite Flowers, a release of steelpan with electronica
and
Asa-Chang & Junray : Jun Ray Song Hang, a release of tabla with electronica

are both reviewed on the 'electronic progressive music page' :
see http://psychemusic.org/prog13.html
Lullatone : plays pajama pop pour vous :

This folktronica release is reviewed on
http://www.psychemusic.org/prog13B.html
Leo Rec.   Pan-Asian Ensemble : Mujou (RU/JAP,2007)**'

Some classical Japanese instruments like the koto and the biwa have a strange vulnerable sound quality which often is on the edge of sounding atonal. If used in a composition deliberately this could bring a certain, more aggressive tension of uneasiness. It is an art bringing this back into balance. Western contemporary as well as free music music, which uses atonal tensions for a series of compositions can sound strange and it can become an intellectual tool for creating deliberately a contemporary sound. I think that the Pan-Asian ensemble often in the same way builds up these odd tensions, equally so for each similar instrument so that it feels logical, and new. The sakuhachi solos are often a bit more contemplative but also they can create tensions of uneasiness, sometimes increased by vocal shouts. This seems like a next step after classical Japanese operatic theatre, free music, but also post-Asiatic to some degree. The fundamental group is based in Russia. Two Japanese players (Kakujo Nakagawa & Misako Mimoru) were invited as collaboraters.

Label info : http://www.leorecords.com/?m=select&id=CD_LR_493
Homepage : http://www.pae.desertmusic.ru/en/index.htm
Nobel Label   Yasushi Yoshida : Little Grace (JAP,2008)****

this new chamber music album is reviewed
on http://psychemusic.org/prog18.html#anchor_237
Andy Akiho : No one to know one, a release of steelpan with contemporary music fusion

is reviewed on the 'trans-world fusion styles' review page :
see http://www.psychemusic.org/world2.html

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