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REVIEWS FROM SOME NEW PROGRESSIVE FOLK ITEMS FROM FINLAND PAGE 2 : O-Z<-A-N






ULLA PIRTTIJÄRVI :
Warn.Mus.Finl.         Ulla Pirttijärvi : Máttaráhku Askái (2002)****°

Wimme introduced us before in modern arranged yoiks, mostly with electronic equipment.
Ulla Pirttjävi succeeds to do this within an original singer-songwriting and with a modern studio band ?, with touches of classical arrangements and a professional production, in an art folkpop style using touches of jazz, and now and then some layers of electronic music, thus creating a full warm sound. These arrangements were done by Frode Fjellheim.
Pictures of deserted white landscapes are shown in the booklet. "The silk is from the wind, it came from the east" it says. The yoik is a special kind of singing which, like Austrian jodling originally, and the Pygmies "singing" were one with the natural environment, used animal like sounds tracking large spaces. Combined with the magical Finnish language, performed from a warmth from within, and with indeed some eastern sounding touches now and then, are an enjoyable feast, restimulating any domesticated environment with originating mystifying sounds, making visible urban spots of peacemaking values to comfort. A unique sound, highly recommended, with the best of various genres, from singer-songwriting to art folk pop. This was Ulla's second release so far. A very good starter for those interested in original Finnish folk music.

Webpages : http://home.online.no/~frfjellh/, Finnish Music centre descriptions and http://www.transjoik.com
Earlier release : http://www.rootsworld.com/rw/finland/finnrec.html#ulla

TARUJEN SAARI :

SilenceTarujen Saari : Levoton Hauta (Fin,2002)***°

Strange that this group went relatively unnoticed here in Western Europe. When I heard the first track, "Pirunpolska" it sounded surely as powerful as Hedningarna, Garmarna, Värttinä, the Scandinavian groups often mentioned here. The sound in general on this release is mostly powerfully, with a few times a more gentle arrangement, but not with any repetitive method and patterns. There are quiet songs (tr.2 : "Mullaksi maatumaan" ), more heavy ones (tr.1), medieval folkrock tracks (tr.3,"Rouva Kuolema" (Ballo in fa diesis minore)), one track with additional sitar to give it actually a middle eastern or something touch (tr.4),.. Also traditional styles have been arranged very freshly, in a splendid folkrock style (as on tr.5). 6th track  "Riminin Veljesmurat" has additional string chamber arrangements. The tracks following have more modest and gentle arrangements. "Koululaismuhaaja / L'écolier Assasin" surprises again in its arrangements. It contains apart from acoustic guitars, beautiful female vocals & violin, a child choir, some furious second violin, hurdygurdy and distorted electric bass touches. Another very fine release of a talented country for folk music.

Other release of the group : Tarujen Saari : Rattaanpyürä EP (Fin,2003)**

Info : www.wolfgangrecords.com & www.vuorenk.pp.fi/tarujensaari
Contact : kingdom@vuorkenk.pp.finext release ->

TIMO VÄÄNÄNEN :

OndineOct.      Timo Väänänen : Matka / Voyage (2001)***°
Warner     Timo Väänänen :Tilleri / Wheels (1999)**'

According to the information from the Finnish Music Information Centre Kantele was used for electronic experiments since the 40's. Hannu Koistinen developed the electronic kantele much further. He cooperated recently with Timo Väänänen.
With "Viileri" Timo made a CD full with acoustic kantele instrumentals based mostly upon traditional folk. The first tracks based upon fiddler music are mostly of interest to roots folk listeners. Freshly played, but mainly historical in its musical roots this CD is still interesting for any listeners for various tracks. But the contemporary and more modern approaches are not strongly developed here yet. This is different with the following release :

It's on "Matka / Voyage"(2001) that Timo plays the electric kantele. Generally, not all instruments sound better electrified, but for the sound of the kantele, the richness of the acoustic space (the dulcimer like kantele has already a rich embodied soundcase) sounds even richer. The compositions are well thought over, and there has been caretaken in enriching the sound of this electrified instrument with the characteristics of the instrument retained. This is contemporary music with no genres limitations. Last track with real electronic sounds gives the most modern impression. A very joyful and interesting album.

Seeing the video's included on the CD it's even more amazing that the electronic music seems to be produced by the kantele itself ! For people interested in musicval instruments a must have seen .

Timo is also part of the folk group Loituma. See the separate reviews.

Webpage : www.timo.vaananen.net & http://www.saunalahti.fi/~promo/timo/index.htm
& http://www.mondomix.org/womexshowin2002/artistes/timo.htm
E-mail : timo@vaananen.net  &  tvaanane@siba.fi
Small articles : http://www.verbing.com/MongrelMusic/artists/vaananen9-99.html & http://virtual.finland.fi/finfo/english/vaananen.html

VÄRTTINÄ :


Fréa Records         Värttinä : Ilmatar (2001)****°

Värttinä started as a huge group of gifted youngsters who brought an original approach of feline Karelian singing. Since there existence this group had some changes. But they never seized to modernize their sound. Although they're still the most popular Finnish folk group (and although popularity not necessarily means the most refined quality into depth) they deserve their place with dignity. This CD has been produced with utmost care, best equipment and people, with care for nice contrast, deep three-dimensional sound. But there has been also very much care for the content into depth. Many songs enrich the Finnish World in which this group originates into full expression: the mystical environment of nature, the magical language, traditional and new songs women seeking for true love and the failures towards this into what happens in real life.
In "Itkin" instruments come and go quickly like colours within a painting. The song's a woman's lament. "Kappee" has poetical magical words and sound like a mystic rap. It's about the idea of powerful wives putting a spell on a pour girl who only found a weak useless guy for her. "Laiska" is a song about a woman's urge for expression into singing. "Liiqua"  continiues into the subject. It's a beautiful more fragile acoustic song about exactly the same subject as in "Kappee". "Oh how beautiful Finnish can sound !" in "Aijo" you can also say : "Oh how powerful magical Finnish can sound !" The rhythm of words is optimised and with very strong musical accompaniment. "Kivitar" continues in the same way, a bit more as
ethnic folkjazz with nice vocal arrangements too. "Linnummieli" continues the same way ; this time with a more ethnic rockpop touch. Balance to instruments I would have preferred a bit differently here ; the effect of voices and most straight rhythm is now completely on the foreground here. "Lieto" is a folkrock instrumental with jazz touches. "Sanat" gives us peace again, in another beautiful melancholic woman's lament with nice accordion accompaniment. Last song "Meri" concludes with the general theme. It seems that they might have had inspiration by this time a true almost real life's lament or woman's cry transferred into a magical spell flow of words and therefore magical moment of Ismo Alanko. The CD is very recommended.
          next release ->
Fréa Rec./M&W        Värttinä : Iki (2003)****

Still fond of the previous album I was very curious if this tenth release from Värttinä would be as good. I can tell it was mostly the existence and style of  Värttinä that led to the appearance of a 3 young maiden group Lais in my country, Belgium. But still no group brings such perfection and mood as Värttinä.
This new album was recorded in 4 weeks and is more directed towards the foundations of their music, pure and without any tricks or effects, just three female harmonic voices, with wonderfully and powerfully arranged folk with some jazz elements. Thematically this CD continues where the last one left off. It has the consciousness of woman kind, it has the hidden reflection of living with nature, and it has an urban presentation. Another classic in the Värttinä repertoire.

Official site : http://www.hoedown.com/html/varttina.html
Contact : pap@hoedown.com
Soundfile : "Tuulen Tunto"
Other sites : http://www.geocities.com/varttinasite/
http://www.geocities.com/varttinasite/ &
http://www.dirtynelson.com/linen/feature/51varttina.html &
http://www.ccinet.ab.ca/efmf/1996bios/V%8Arttin%8A & with sound at
http://www.jazzkaar.ee/99/varttina.htm &
http://www.warner-classics.com/finlandia/ln/innov/biogs/varttina.htm &
http://www.folkmusic.dk/spillemanden/Anmeldelser/varttina/varttina.htm
German page at http://members.aol.com/dfgnrw/vaerttin.htm & reviews at
http://www.jazzdimensions.de/reviews/worldmusic/2001/vaerttinae_ilmatar.html
Distribution in Europe by Music & Words at  www.musicwords.nl

VILDDAS :


Private(Wood Prod.)       Vilddas (2001)***°               picture of singer Annukka

A combination between more European singing (Dead Can Dance until Medieval) but also Swami singing, ud playing, jazzy clarinet, some programming. The percussion is mostly sparse and possibly Swami inspired as well, almost ritual. The combination works recognizable, but still in a most unusual combination. I could call it Fusion or Crossover Folk.  The track I played before, "Biegga" has quiet rock drumming and almost classical composition with some folk touch. Two very short tracks are a capella yoik singing. Last track is a Pop Rock Folk Crossover Fusion. Very good, and a highly enjoyable release.
(I'm puzzled now I realise that they're so many good Finnish relesases ?!).

Finnish/English page at www.vilddas.net
(or http://www.uta.fi/jarjestot/nefa/Vilddas/) and a Web Site at only in Finnish at :
http://www.uta.fi/~ms55171/suomi/kotisuomi.html
E-mail : Marko (ud-player) at mj28172@uta.fi, Annukka at ah53891@uta.fi
English reviews at http://www.let.uu.nl/~Henning.Bolte/personal/newsxud.htm (an ud-related Web Site) and at http://www.folkworld.de/18/e/cds1.html#vild
Finnish review at http://www.pp.clinet.fi/~skal/uutuusarviot20.html#vilddas
The Experimental Folk groups are reviewed on http://psychedelicfolk.homestead.com/finland.html

go to next page REVIEWS OF FINNISH EXPERIMENTAL FOLK -->>>
Silence Rec.     Tarujen Saari : Sota kirottu! (FIN,2004)***°

This is the fourth album by the group, with a very consistent sound. Even when I don’t understand a word it gives a feeling one can easily understand the music, from an English folk(rock) viewpoint. It has as comparable flavour to it, even when it is completely Finnish. I notice at least two old European traditionals, like “Henry Martin” ("Merille Rosvoamaan") and “Le Prince D’Orange” ("Sota Kirottu"), and "Pierre De Grenoble", ("Viimeinen suudelma") all sung in Finish. The stylistic origins (medieval European, and Finnish) fit and mix well together. There has been used a great variety of European folk instruments, and some ethnic instruments like sitar, bouzouki and saz. All tracks are sung by a beautiful female voice. The acompaniment is like folk music with an extra folkrock strength developped with contrasting elements, but never too arranged. Very enjoyable from beginning to end !

More audio : "Kerskaava kuningas", "Kolme"
Other reviews : http://www.vuorenk.pp.fi/tarujensaari/sotarevi.htm
& http://www.cdroots.com/av-tar04.html

MORE GROUPS :

Wolfram    Wäinötär : 4-track demo (FIN,2005)*

After I heard this 2-track demo (actually 2 tracks, with 2 aditional radio edits) I read this group was one of the candidates for the 2004 Eurovision songfestival. It confirms my idea of the group’s intentions, because they rely too much on a “popular sound” rather than on a musical vision and inner creative drive. They have a beautiful female voice, and it is already exploited for its effect, not particularly with any focus on a musical idea. The first track, “Noita” is folkrock, technically somewhat primitively produced with drumcomputer and metal-effect guitars. It is basically a folk voice and a folk song exploited like a popular metal group (Within Temptation is such a popular band, with a good female voice), perhaps as an excuse on such a mediocre song festival outside music except for entertainment businesses, to reach to a wider public hoping they would become interested in Finnish folkmusic, as if it really could change mainstream people into becoming interested in any seriously founded content. The second track, “Mesihelmi” has awful studio trickery and there is tasteless New Age bambam house-disco effects on another folksong. For the serious music lover : avoid. In some way this production failure is a shame because the singer has a clear and nice voice.

Homepage : http://www.wainotar.com/
Info : http://www.wolfgangrecords.com/files/labels/wolfram/artists/wainotar/wainotar.htm
Ulla Pirttijärvi, Tarujen Saari (2x), Timo Väänänen (2x), Värttinä (2x), Vilddas, Wäinötär